Brandon Philips Violin Log2010-03-05T13:16:29-08:00http://ifup.org/violinBrandon Philipsbrandon@ifup.orgKeep it up man2010-03-05T00:00:00-08:00http://ifup.org/violin/2010/03/05/keep-it-up-man<p>In practice this week I concentrated on listening and reading notes instead of watching my fingers. It was one of those plateau moments like when you move from hunt and peck to touch typing: you get worse before you get better for a bit. A week of practice and now I can avoid looking at every finger movement.</p>
<p>I also got the slur from two strings down. Fun!</p>
<p>To increase my sight reading speed I found some <a href='http://linkwaregraphics.com/music/flashcards/notes2/'>flash cards</a> that have been quite useful. Since they are fold in half style I can stand them up and play through them in random order which is good practice.</p>
<p>Todays practice focused on intonation of notes particularly in the “Cupid’s Waltz” which has a few notes that I don’t have dialed in all the way. Samantha reminded me that notes have a tendency to go flat if the string isn’t completely engaged so I am working on that.</p>
<p>Turns out I am also tightening my bow too much. Enough tension is required so that pressure doesn’t cause the bow to touch the hair but no further.</p>
<p>Need to work with metronome this week since my rhythm was a little wonky in places.</p>
<p>While walking back from class today a guy on a bike yeld at me:</p>
<ul>
<li>Guy: “Violin?”</li>
<li>Me: “Yep”</li>
<li>Guy: “Nice, keep it up man”</li>
</ul>
<p>I chuckled and said thanks as he kept riding past. Thanks guy on bike.</p>
<p>Practice this week</p>
<ul>
<li>Greenwood Waltz (increase speed, ensure long notes are held)</li>
<li>Cupid’s Waltz (intonation and long notes and full play through)</li>
</ul>Slurring two string and notecards2010-02-26T00:00:00-08:00http://ifup.org/violin/2010/02/26/slurring-two-string-and-notecards<p>The waltz I am working on introduces a two string slur which is a first for me. Samantha had me practicing this pattern by first double stopping the strings then alternating them. I will practice with a metronome. Also, need to exercise switching strings upbow, upstring, downstring, downbow, upstring, downstring, etc.</p>
<p>Another exercise is hearing flats/sharps by ear. Need to work on that one. but it is hard to practice without an instructor. But, I do need to work on my sight reading. I plan on making some notecards to practice playing notes without knowing the “song” by mixing them up and to increase my sight reading speed.</p>
<p>As always, more bow.</p>Tonic, Dominant, and Sub-Dominant2010-02-05T00:00:00-08:00http://ifup.org/violin/2010/02/05/tonic,-dominant,-and-sub-dominant<p>I learned some new vocabulary today about Chords. I is the tonic, V is the dominant and IV is the sub-dominant. In theory the IV pulls you towards the V and the I makes things feel concluded. So, I need to go through the Greenwood Tree and try to listen for those effects and write down the chords.</p>
<p>Another new piece of vocab is the way notes are counted. e.g. C -> C# is a half, C -> D is a full and C -> E is a third. That always confused me a bit but now it makes sense.</p>
<p>The Metronome is a difficult thing for me to use but Samantha suggested a few ways I can use it to work on Greenwood Tree including setting it to around 100bpm and playing every 1/8th inside of every note. This help get my rhythm more regular across the piece.</p>
<p>Something that we noticed when trying to do this is that I was having trouble figuring out what notes to play. I need to read the notes, play with the metronome and get the rhythm all at the same time. Music is hard… ;)</p>
<p>Songs I am working on:</p>
<ul>
<li>Greenwood Tree (work on rhythm, try to find chords)</li>
<li>Go Tell Aunty Rhody (string crossings)</li>
</ul>Playing Backwards and Chords2010-01-29T00:00:00-08:00http://ifup.org/violin/2010/01/29/playing-backwards-and-chords<p>Samantha introduced some music theory into the lesson today. This included how chrods work using the example of the A major scale in Go Tell Aunt Rhody. I don’t grasp the entire concept but the guitar + violin on Go Tell Aunt Rhody sounded nice.</p>
<p>I will work out the chords she wrote down (<a href='http://www.thevirtualpiano.com/'>Virtual piano</a> makes this easy and fun) in the music and post the engraving. It will be a good experiment in using lilypond.</p>
<p>If someone has recommendations for an intro music theory book <a href='/contact'>let me know</a>.</p>
<p>We worked on the Greenwood tree quite a bit more today and I have all of the measures down indivdually pretty well. Still need to work on the second to last measure that has F#3 G E. It is very hard for me to keep the time in my head. Also I keep dropping part of the 6th measure which throws my bow and timing off. Work in progress.</p>
<p>The big trick in working on Greenwood was playing backwards. Start with the two notes giving you trouble, then move back a note, then back a measure, the back and forward a measure until things smooth out. Do not play through. Stop, correct the mistake then continue. I spent a lot of time unlearning things this week because I just played through without stopping.</p>
<p>Songs I am working on:</p>
<ul>
<li>Greenwood Tree</li>
<li>Go Tell Aunty Rhody</li>
</ul>Dvořák: Violin Concerto with Chee-Yun2010-01-25T00:00:00-08:00http://ifup.org/violin/2010/01/25/dvořák:-violin-concerto-with-chee-yun<p>Nisha got tickets to the Oregon Symphonies Dvořák Violin Concerto and the performance was moving. The soloist was <a hre='http://chee-yun.net'>Chee-Yun</a> who gave a powerful and flawless performance while maintaining the stage presence of a rock star. It was fun to watch.</p>
<p>Another rockstar was first violin <a href='http://www.orsymphony.org/bios/musicians/bio_iwasaki.aspx'>Jun
Iwasaki</a>. He was nearly jumping out of his seat while playing through some movements of Thunderbolt P-47 and responses in the Concerto.</p>
<p>The complete lineup of the night:</p>
<ul>
<li>Martinu: Thunderbolt P-47</li>
<li>Dvořák: Violin Concerto</li>
<li>Respighi: La boutique fantasque, ballet after Rossini</li>
</ul>
<p>I realized at the end of the concert how poor my music vocabulary is. I will need to pick up a music theory book and fix that. It is frustrating to experience something and not be able to communicate it beyond cliches or analogies.</p>
<p>I am feeling well inspired to continue pursuing the fiddle at the very least.</p>On Slowing down2010-01-22T00:00:00-08:00http://ifup.org/violin/2010/01/22/slowing-down<p>Samantha, my instructor, made an observation during class today: “I play something, then you end up playing it back a little faster, then you play it again even faster.” Fantastic observation and its cause, I suppose, is that most everything I do during the day is better if it is done faster: fixing bugs, writing code, running, translating Hindi, etc.</p>
<p>A couple of practice suggestions:</p>
<ul>
<li>More bow!</li>
<li>Accent the downbeat of each measure to help internalize rhythm of music</li>
<li>Play through concentrating on dynamics in different areas</li>
</ul>
<p>I feel my rhythm was worse this week since I used the metrenome much less (not at all). Need to make sure I bust it out and least once per song.</p>
<p>Songs I am working on:</p>
<ul>
<li>Greenwood Tree (completely new, F, F# and G are new notes)</li>
<li>Song of the Wind (work on improving seperation of last F# and E on first measure)</li>
<li>Go Tell Aunt Rhody (dynamics)</li>
</ul>Old And In The Way2010-01-21T00:00:00-08:00http://ifup.org/violin/2010/01/21/old-and-in-the-way<p>Samantha encouraged me to try a new song this week: “Song of the Wind”. The challenge with this song is holding position on the E string while moving to third position to get a D on the A string. It is a bit of a trick to touch A then E.</p>
<p>I have gotten much better at playing Go Tell Aunt Rhody working on dynamics to make sure I can differentiate the metzo-forte from the piano.</p>
<p>It is a joy to be able to pick up the instrument and just raddle off a couple of short songs while walking around. There is some tension that I might forget what I am doing but I find I actually play better when I am not paying close attention on those pieces that I have played dozens of time.</p>
<p>To get inspiration for moving onto Fiddle music I have started listening to The High Lonesome Sound by Old And In The Way. This is my first introduction to this band and it is a nice change of pace from techno and metal for work music.</p>
<p>Songs I am working on</p>
<ul>
<li>Old And In The Way</li>
<li>Go Tell Aunt Rhody</li>
<li>Song of the Wind</li>
</ul>Lesson 2010-01-082010-01-08T00:00:00-08:00http://ifup.org/violin/2010/01/08/lesson-2010-01-08<p>This weeks songs:</p>
<ul>
<li>Suzuki v1 Twinkle A, B</li>
<li>Struggling with Twinkle C, D</li>
<li>Gently row</li>
</ul>
<p>Personal Advice * More bow! I have a problem not using enough bow</p>
<p>Practice tips</p>
<ul>
<li>Go through the entire song practicing meter only on an open string</li>
<li>Practice with a metronome to iternalize divisions: 160bpm 1/16 notes, 80bpm 1/8 notes, 40 1/4 notes</li>
</ul>
<p>Songs I am working on:</p>
<ul>
<li>Aunty</li>
<li>Twinkle C, D</li>
<li>Warm-ups: Suzuki Twinkle A, B</li>
</ul>